Tuesday, January 29, 2008

Slash Dismisses GNR Reunion Again, Plus Working with Dylan

In case you missed it the first dozen of times he said it wasn't likely to happen, Slash has once again dismissed the idea of a Guns N' Roses reunion. While this isn't new news, he also discussed a couple of music legends he has worked with over the years. Here is Metal Underground with the report: Metro.co.uk recently conducted an interview with Velvet Revolver/Ex-Guns N' Roses guitarist Slash. A couple of excerpts from the chat follow:

Metro.co.uk: You've worked with a variety of famous musicians. With whom did you get on best? * Slash: I really got on great with almost all of them. Michael Jackson's record was a special moment, so was working with Iggy Pop, Lenny Kravitz and Ray Charles. A not-so-great one was with Bob Dylan. That was a huge learning experience. I was recommended for a guitar solo on his track "Wiggle Wiggle" during one of his darker periods in the late 1980s. I put a solo on there that I was quite proud of and put an acoustic rhythm track underneath it. When I heard it, only the acoustic track was there. Apparently he took the solo off because it sounded too much like GUNS N' ROSES.

Metro.co.uk: Will you ever work with Axl Rose again? * Slash: I always say "never say never" but it's not going to happen in the foreseeable future.

Slash Searching for Missing Inlaw

Velvet Revolver star Slash has launched a heartfelt appeal to help find his missing brother-in-law. The guitarist is hoping to help his wife, Perla Hudson, locate her brother, Ivan Pablo Padilla, who disappeared in Hollywood in December 2001.

Padilla is now 43 years old and was known to wear a gold chain with a medal bearing an Indian head - and Slash is urging anyone who knows of his whereabouts to email searchforivan@yahoo.com.

Slash and Hudson were married in 2001, and they have two children together.

Out of Patience, Give Us Chinese Democracy!

An Open Letter to Universal Music Regarding The New Guns N' Roses Album By Anthony Kuzminski: Over the last few months, the rumor machine has been working overtime as to why 'Chinese Democracy', the long awaited Guns N' Roses album, has yet to be released. Well, it's been one of the most talked about albums of all time, merely because of what it may or may not hold. Regardless, the rumor mill has kicked into high gear in recent months because it has been confirmed that Axl Rose has indeed turned the completed album into Universal Music. Something most people never thought would happen…has happened. There should be shouts of jubilation inside Universal Music, alas, there isn't.

To set the record straight, I don't know anyone in Guns N' Roses and I don't have a personal contact at Universal Music. However, the same rumors appear to be popping up continually and it evolves around how to market the album and since Universal has sunk a large amount of money into this project already, there are rumblings that they are unwilling to set aside large amounts for promotion since they have yet to recoup their initial investment.

The first Guns N' Roses album in fifteen-years is a story in itself and this alone should be enough to sell copies out of the box, however, Universal apparently is holding the album hostage until some kind of agreement can be made. One of the things I keep hearing is that the label has "reportedly" spent $14 million in expenses for this album. Now, granted, I believe the 'Greatest Hits '87-'94' was released specifically to recoup some of these costs and that particular album has been a consistent and constant seller ever since (selling over 3 million copies) but let's say hypothetically that Universal wants to find the easiest way to recoup this $14 million, while simultaneously getting this album into the marketplace. Here are three simple, effective and profitable ways to recoup your investment, while allowing Axl Rose to release 'Chinese Democracy'


This melody inside of me, still searches for solution
-"Better"

Option #1-The Digital Release

My advice would be to go the Radiohead route and release the album digitally first. This is the easiest way to avoid having the album leak early from the pressing plant. Whether it happens two days before the album's release or two months, the key is to unleash it before it can be found everywhere for nothing. Now while Radiohead's model was admirable, it appears that many chose to not pay anything for the album. For the Guns record, why not institute a $3 charge for the album. But here is the kicker. Charge $3 for a mid level MP3 rip (192 or better) and do not release it until you have secured two million downloads. Some people are so fanatical about wanting to hear this album; they would potentially order multiple digital copies just so they could get their hands on the album sooner. For those of you in the music industry reading this, I am well aware of the irony of my idea since Universal Music appears to be doing everything in their power to not embrace the digital revolution. In some ways, I may as well be talking to a lifelong vegan about the nutritional value of a Superdawg Hot Dog and Al's Italian Beef (it's a Chicago thing). However, I believe this is the quickest road to profit.

My editor even thinks I've gone off my rocker and suggested a $5 price. However, as Trent Reznor recently found out with the Saul Williams produced record, $5 may be a bit too much. [No offense to Sal, but he is no Axl - ed] We have an entire generation of people who feel music should be free and even if they are wrong, you must play into what the market will allow and based on my observations, $3 is the magic number. My theory is that you want to get your customers in the habit of paying for music and pricing downloads too high, will frustrate them. Make it affordable so that you build trust and an ongoing relationship. I sincerely believe Universal could acquire 2 million downloads at $3 a pop in a very short period of time. Since they've cut out the middleman, processing packaging, etc this would largely be pure profit. Most importantly, there would be rampant anticipation since the album had not leaked.
Total Revenue: $6 million

Option #2 –The Box Set

There will always be those who crave and will want the physical product. This is inevitable. The key is to provide them with the ultimate product. Think of being a car salesman and having a wide range of lines and vehicles. While I believe music in the future should be affordable, cheap and available in bulk, the key will be to market to the select die-hard fans. Radiohead did this with an $80 box set that included not just a physical CD, but a second CD of outtakes, a vinyl copy of the album and extensive packaging. For Guns N' Roses, the contents of this package could be exhaustive and maddening at the same time. Considering that it's taken years to bring 'Chinese Democracy' to fruition, I doubt Axl Rose would be willing to put alternate versions of songs out there. However, why not include a full concert DVD from the last tour? How about a short book written by Del James about the "Making of 'Chinese Democracy'"? Why not throw in a vintage Guns N' Roses concert on DVD to lure the fans to buying the more expensive set (although I believe this is highly unlikely).

The options are limitless; Include a concert ticket with every box purchase, offer an exclusive code that gives you access to a Pay Per View screening where Axl would give his first sit down interview, follow the interview with a live performance of the entire album. A Pay Per View could pull in a separate stream of income and it would allow Axl and the rest of the band to present the album they want. They wouldn't have to abide by the rules of MTV, NBC, of E!; they could write the book themselves. Promote it as a once in a lifetime event where Axl is interviewed by someone he knows, respects and is comfortable with. Allow him to dictate the proceedings as he needs to because he's the artist and the gestation of this album has been immense and he deserves a platform to showcase his art the way he wants. Not to mention, but the windfall from just 100,000 potential buying customers would add to the coffers.

The moral of my story is that if they deliver a stellar and unique package, aside from a potential Pay Per View, the fanatics will buy it. The revenue from a special box could reign in more money than a stand alone CD release. Include the CD, a DVD, a book, a reproduction of the original 'Appetite' album cover and a few other bonus items and a set like this could retail for approximately $65. Limit worldwide distribution of these boxes to 125,000. The total gross for this package would be $8,125,000.00 and if the $14 million budget for 'Chinese Democracy' is true, it immediately puts Universal in the black and this would potentially be before a Pay Per View or physical CD release or even a tour. Total Revenue Combined from Options #1 and #2: $14,125,000.00

#3-The Physical CD
Once you get the download out of the way, send the album to stores. Include a live DVD of the entire album from the Pay Per View show, exclusive web content and assorted contests of vintage Guns N' Roses items and access to potential future live shows. This will make even those who bought the pricey box set want to buy it again. Once again, don't inflate the cost, make it affordable. When the 'Greatest Hits '87-'94' was released in 2004, most retailers were selling it at $7.99 and I believe this was one of the prime reasons it has continued to sell well over time.

These three options combined should easily put Universal back in black, give Axl Rose the drive to bring these songs to the world, get back on the road and will eventually open up the chances for more music in the not too distant future (Sebastian Bach alludes to the potential of two more albums in under three-years).

'Chinese Democracy' has been a decade plus in the making and despite what the cynics say, there are millions who want…no scratch that…NEED to hear this album and the key to its success is to deliver it to the masses in an favorable manner which will appeal to not just the longing and patient fans, but to the casual listener as well. Promotion should be a no brainer as any news magazine on television or in print would kill for an exclusive interview. However, I believe the album will sell itself, Universal just needs to think outside of the box and unleash it on a world that is beyond ready for it. The reason that 'Appetite For Destruction' sold sixteen-million records is because of its unabashed honesty. It cemented the band into an entire generation's consciousness. There are millions of lost souls out there looking for that next record that will open new worlds to them and help them seek refuge from a world that is at times far too real for our own liking. But albums like 'Appetite For Destruction', 'Use Your Illusion' and hopefully 'Chinese Democracy' help you deal with your grief, provide a ray of light and reminds us that the fight that life can be is worth fighting.


A broken heart provides the spark for my determination

-"Better"

Anthony Kuzminski is a Chicago based writer and can be found at The Screen Door.

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Four GN'R Songs on All-time Best List

Albania's Top Gold Radio recently asked its web site visitors to vote for their favorite songs as part of the 100 Golden Hits contest. Metallica's "Nothing Else Matters", from the band's 1991 self-titled album, received the largest number of votes and was named the all-time best song by the Albanian audience. Scorpions' "Wind of Change" and Guns N' Roses "Don't Cry" ballads were ranked second and third.

"All top three songs came out in the early '90s at a time when Albania's wild communist regime collapsed, and people were free to listen to foreign music without risking prison and persecution," explains poll creator Igli Gjelishti.

Other rock songs from the top ten include Deep Purple's "Soldier of Fortune", Led Zeppelin's "Stairway to Heaven" and The Eagles' "Hotel California".

1. Metallica - Nothing Else Matters
2. Scorpions - Wind Of Change
3. Guns N' Roses - Don't Cry
4. Deep Purple - Soldier Of Fortune
5. Led Zeppelin - Stairway To Heaven
...
17 Guns N' Roses November Rain
25 Guns N' Roses Sweet Child O' Mine
43 Guns N' Roses Knocking On Heaven's Door


To see the complete list, go to this location.

Bullet For My Valentine Singer on Touring With GN'R

Revolver Magazine recently conducted an interview with Bullet For My Valentine frontman Matt Tuck. A couple of excerpts from the chat follow:

Revolver: A good deal of your touring in support of "The Poison" included dates with older, more established metal bands. Was that exciting?

Tuck: Yeah, it means a lot. It's something you never think of when you join a band as a teenager and you look up to these people as complete fucking gods. To even know that they know who we are is fucking amazing. It still hasn't sunk in that we've done something like that. They know us personally and are calling us by our names.

Revolver: How has that changed your ideas about who or what a rock star is?

Tuck: We've kind of seen what to do and what not to do if you get to that level. When we were on tour with Guns N' Roses, that was a prime example of how not to fucking act on tour. Then with Maiden and Metallica it was the complete opposite. They made us feel so welcome, and anything we wanted, they were more than happy to give us. It was nice to see that though they've established godlike myths about them, when you actually get them one-on-one in a room, they're just Mr. Average. It was inspiring to see that our heroes weren't dicks.

Revolver: One thing that unites acts like Metallica and Guns N' Roses is that they play to incredibly varied audiences. It's not just kids who know everything there is to know about the history of metal. Does establishing that kind of following appeal to you?

Tuck: That'd be cool, yeah. We've had our fair share of something similar, which is playing in front of people who really don't understand what's going on in modern metal. The Maiden experience, for example — there were 40- and 50-year-old men with mullets and denim jackets, you know? It was mad to see how out of touch some people are with modern rock music.

Revolver's entire interview with Matt Tuck can be found in the magazines' March 2008 issue, available on newsstands now.

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Beta Lebeis: "Album was finished before Christmas"

UK magazine Classic Rock recently tracked down Beta Lebeis, personal manager of Axl Rose, who confirmed to us that Guns N' Roses' Chinese Democracy album "was finished before Christmas".

She added: "Everybody knows that."

Lebeis said Axl is currently "in negotiations" with unspecified parties to arrange to album's on-sale date.

However, Classic Rock believes that Chinese Democracy may not be 'released' in the traditional sense - at least not initially.

We suspect that GN'R may follow the Radiohead route of pay-as-you-like downloads. But we stress this has not been confirmed.

Another source close to the GN'R camp also suggested that Chinese Democracy may gain a conventional release in late summer, with a view to it becoming "a big Christmas album".

Stay tuned for the full, unexpurgated story behind Chinese Democracy in the next issue of Classic Rock, on sale on February 6!

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Taken By Trees Covers Guns N' Roses

Ever get the urge to hear a Swedish indie-pop songbird tackle a Guns N' Roses classic?

No, us neither. But that won't stop Taken By Trees. The band, which features Victoria Bergsman, formerly of The Concretes, will drop a version of Sweet Child O' Mine off Appetite For Destruction Feb. 19. The song's available digitally through iTunes, and will also turn up as a 7-inch single on the band's merch table.

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